Current Project-RST 2 way dipole
Note 1-I've reposted my old notes for anyone that is interested-just
cruise down below the red title. They were part of a Wordpress blog,
but it was constantly being hacked, spammed and was just too much
trouble. The "old entries" before 7/08 are archived down below. The
Wordpress blog is no more. The blog entries between 2/10 and 7/08
are wiped. Oh well. It's just my ramblings. I will just update this
static page when I have something to say...
Note 2-this is a chronological blog, with
the earliest entry at the bottom. The most sensible way to read this
would be to start at the earliest date entry at the bottom, and work
your way up.
3/7/10
A few more versions of the
waveguide. I made it shallower by trimming a bit more off. This made
it match magnificently with the RS28F with the faceplate removed.
Unfortunately, it also made for a less desirable frequency response.
So then I tried cutting the other PE waveguide I had with a bit more
depth, so the hole is a bit smaller. Here's a photo.

Compare this with the pix below and you can see the inner diameter
of the throat is smaller.
Below you'll see a set of off axis curves. The first is a set to 40
degrees in 5 degree increments. Below that is a set of measurements
to 75 degrees in 15 degree increments.


I think these curves are marginally better than the ones below and
the ones I will go ahead and work with. I will post the final depth
and curves in the coming weeks if anyone wants to try this as well.
I think the directivity is very good from 2-10k. There is some loss
of directivity and baffle effects in the 1-2k range, but hopefully
the crossover will mitigate this in a positive way. Overall it's
much more consistently directive than the Seas 27TBFC/G, so I'm
optomistic.
If you're wondering why I'm trying so hard to put a waveguide in the
dipole panel, maybe this graph below will help. Below was a crude
off axis set of plots for the dipole panel with the Seas 27 tweet.
See how the dipole behavior is excellent up to 1-1.5k, then rapidly
shifts to omnidirectional out to 5k. This occurs because of the
transition from dipole to the 1" dome. Just imagine the above curves
for the waveguide loaded tweeter instead. Hopefully we'll get much
more constant directivity, at least in the front hemisphere. Not a
true dipole tweeter, but a much more evenly matched directivity in
front.

2/27/10
One of the
problems that stalled out this project was my dissatisfaction with
the integration of the Seas tweeter with the RS225 woofers. The
ER18DXT was also an experiment to see if I could improve on the
power response of the RS225 dipole. Given what I've learned with
this project, I've decided to redo the panel with a waveguide loaded
tweeter. The question was, which one? I'll spare you all the
ruminations I went through, but Zaph's experiment with the SB
Acoustics on a PE 8" waveguide motivated me to try the PE 8"
waveguide. It's about the largest waveguide that will fit given the
current baffle width and the controlled directivity should start
somewhere around 1.5k. I was again, impressed with the Dayton RS28F
and decided to try this combination, that is, the Dayton RS28F and
the PE 8" waveguide.
I had some free time today-er, not much, but enough to do a rough,
and I mean rough (some would say a bit sloppy) mock up. But the idea
is really a proof of concept. If a rough mock up stinks, then no
sense spending hours, right?
Without further ado, here's the actual mock up. It's my standard
baffle. 9x17 with 3" roundovers.

Below, you can see my "attention to detail..." Not exactly
center, but good for a first approximation.

And quite the ugly backside...

Well, how about the frequency response
curves?

Oh, now this looks very good. Better than I thought. This curve is
adjusted to 1m/2.83 v, so you could get 93-95 dB of sensitivity if
you don't mind a little droop above 15k.
What about off axis curves?

OK, Still looking pretty good. Not perfect, but the response between
1-10k looks useable. You might argue the top octave is a little
ragged, so let's take a closer look.
Here's a more detailed set of curves, every 5 degrees, out to 30
degrees. You can see that it's very respectable to 25 degrees, and a
modest rise in the top octave at 30 and 45 degrees.

Let's add a 7.5 uF cap in series and see what
happens to the graph.

How about averaging the above curves? (with the 7.5uF cap)

So the FR curves look very, very usable. I'm going to try
to make this work. I'd like to keep this all Dayton RS. More
importantly, the RS28F has very good nonlinear distortion numbers.
See below.
ALL OF THE FOLLOWING CURVES HAVE A 7.5uF SERIES
CAP.
Here we have a 1k 3 tone burst at 106dB at 0.25m. Under 3% 2nd
order, 0.1% 3rd order, and very little else.
Let's crank it up. Below you'll see a 110dB graph, otherwise the
same. I wanted to go higher but this is basically with the amp and
sound card volumes max'd out. I'd need to use an active preamp to
get a bit more drive. It's still very respectable. How much headroom
I'm not sure, but it certainly could be used to 1k and give 100dB +
peaks cleanly.
Below you'll see the corresponding curves at 1.3 and 1.5k at 106dB
and 111 and 112dB, respectively. All look very good.

The moral of the story is that the unit could be crossed over as low
as 1k with 2nd order electrical protection (i.e. 3BW or 4LR) and,
well, maybe ~1.3-1.5k second order acoustic. Maybe. More testing
would be required.
Here's the impedance curve, for completeness' sake.
The plan now is to do a bit more testing, playing around with the
waveguide/RS28F interface to see if I can optimize this, and redo
the dipole baffles.
Archived/old entries
6/18/08
What was I saying last week?
In last week's preliminary measurements I was worried about
suppressing the woofer breakup adequately.
But, it bothered me that the lspCAD simulation didn't really agree
with the measurement all that well. So, let's take a look at the
actual measured electrical transfer function transfer function with
the loudspeaker attached. That is, instead of measuring acoustic
output, I hooked up a probe at the passive crossover terminal output
and looked at the electrical attenuation. The result is posted below
along with the original outdoor, high quality measurement below it
(with the active dipole equalization, but NOT the passive lowpass
filtering at 1.4kHz).
The woofer is in black and the tweeter is in red.
If you look at the woofer acoustic curve first you'll see a broad
breakup peak between 3.5kHz extending out past 10kHz. It peaks at
marker 3, at 6.6kHz. Still, it's a low amplitude peak, being -1.5dB
below the bandpass sensitivity.

Now, if you look at the electrical transfer function, the filter is
down -47dB at 6.6kHz. So, the net effect should be roughly that the
peak at 6.6kHz should be down -48.5dB below the bandpass
sensitivity. However, my measurement last week showed the woofer to
be down only ~35dB in the 5-10kHz range. I've reposted the salient
curve below.

What gives? That extra 13dB could be important. I'm comfortable at
~45dB or lower for cone breakup, since that would be 0.5% or less.
30dB would be around 3%. Audible? I didn't hear any but still would
like that 10-15dB cushion.
Well, the electrical transfer measurement is very accurate. There is
no acoustic component to introduce error and the window is very
long. The outdoor curve shown below the electrical curve should also
be a better curve, being outside, with a much longer window, and the
unit raised high in the air.
The aqua woofer curve was done with the panel in my garage. This
means a shorter window, and the reality is that the panel is ~48"
long in a garage with a ceiling height of 8 feet-this does not make
for very accurate measurements. OK for crude, ballpark measurements,
but not so good for low level details.
So, I'm willing to bet that the aqua curve is just not very good. I
haven't given up on the relatively simple and straightforward
crossover just yet and don't want to make it any more complex
than necessary. I've made some minor changes to this simple 4rth
order crossover, but I'm trying to avoid a notched filter or another
trap if it's not necessary.
Anyway, the only way to settle this is to hook up the current
active/passive crossover setup outdoors in the next month and
measure it right.
The moral is-work really hard on getting high quality
outdoor measurements!
It will take a bit of time to get those measurements.
I'd like to spend a little time improving the construction quality
of my active and passive crossover first. Ahem, see below.

PS-It took a lot of work in Photoshop just to get it to look this
good!!!!
6/11/08
How much suppression is enough?
Below you'll see a 4th order
LR crossover designed in lspCAD.

Below you'll find the crossover
schematic.

This is more or less the same as the crossover below.
Now, let's look at the measured result of the active inline
equalization and the passive crossover. The CD source is a Philips
963 and the amplifier is an Outlaw Audio RR2150. The active
equalization just goes in the preamp out-amp in loop.

Pretty good for a first build iteration. This is done in my garage
with a fairly short window, so the resolution is poor below 1k.
Off axis is below. Dipole below the 1.4k crossover, then a typical
1" dome response above.

How about an in-room RTA? Looks pretty good for its limited value.

Impedance of the passive crossover and the active equalization curve
are below for verification. Everything checks out.


Now, how about some distortion measurements? I apologize for not
having comparison graphs with my RS22528A. However, I did do the
measurements and you'll just have to trust me the 5 tone pattern was
better, the single tone was comparable, and the SL style 3 tone was
somewhat worse. The moral seems to be that the distortion of the 4
driver open baffle is equivalent to a single sealed RS225. I did not
do other distortion tests (this is preliminary after all!) Again, my
guess is that 100-1k distortion will be markedly better.


So, everything is perfect. We can stop now. Well, not quite. Below
you'll see a graph of individual driver response. The woofer breakup
is not suppressed as much as I would like. Only ~35dB down between
5-10k.

So, how does it sound? You do know I listen, right...? Well, it
sounds excellent. I had the RS22528A as a similar monopole
reference. I verified and learned a couple of key points.
First, the active equalization circuit works well. No evidence of
audible distortion. I also ran windowed bursts through the
equalization circuit to make sure. Though not shown, these were
fine. So, objective evidence agrees with subjective opinion, as it
should.
The panel is clearly capable of satisfying full range behavior,
although the last octave is not present. The active highpass filter
at 45-50Hz keeps audible LF distortion down.
The dipole panels clearly sound different in their presentation,
especially in the midrange and the bass region, as you would expect.
Very natural sounding. Hard to hear any clear woofer breakup, though
it's hard not to look at the above graph and not worry a little.
It's hard to make a lot of comments on the sound, since I'm only
listening to one unit. (mono)
Next up will be a version with an additional notch filter, and a
notched filter design. So far so good. I'm very impressed with the
performance so far.
4/09/08
Ah, lspCAD
Well, I broke my SE dongle and Bohdan is giving me a hard time. ("I
need to see proof of ownership!") Jeez, it's not like there are
that many copies of SE. Let's see, how many upgrades have I bought,
as well as new usb dongle. (I've got a parallel port dongle-but this
pc doesn't have a parallel port. I know, buy a pci card-but they're
finicky and I can't use my laptop!) Whine, whine, whine...
Anyway, lspCAD pro to the rescue. It's always worked before. Below
is prototype passive midwoofer-tweeter fourth order LR crossover
circuit with PE coil and cap values (with the active inline
equalization present).

Don't worry about those dips at 2.5k and 3.5k. That's mostly
diffraction and it's still mostly +/-1dB, with a slight droop at the
high end. What about those traps? Well, it just makes it so much
easier to get a good knee on the curve and let the rest of the
network handle the asymptote. The woofer trap also helps the breakup
which is 50+ dB down at 6k. Unlike others, I don't object to extra
parts.
As an interesting note, the impedance rises inversely with
frequency. Although the voltage gain is still ~14dB, the power
required is less, more like 9dB, since the voltage will be into ~12
ohms at 50 Hz instead of 4 ohms at 1k. Overall it should be an easy
load for any modern, decent 100 watt amp.
This is just the starting point for emulation. lspCAD pro emulates
very nicely. Meantime, I'll order one of those Rosewill $13 PCI
parallel cards from Newegg and hope Bohdan's old parallel SE dongle
works with it...
4/2/08
The winds have calmed.

The winds have calmed and I was able to do some measurements. The
graph above is a little busy, but it's worth taking a look at.
-The black curve is the same curve as in the bottom entry for 3/12.
Its the measured, unequalized curve of the four RS225's (again, in a
series parallel connection, with a 1.25mH coil on the outer pair to
roll them off earlier and improve vertical lob
ing) multiplied by the
measured transfer function.
-The red curve is an outdoors 3 meter, 8ms(true 8ms-total interval
~16-17ms with ~8ms time of flight) measurement of the dipole 4 RS225
drivers . As you can see, the black curve and the red curve are in
excellent agreement, as they should be. It's nice to know the
equalization circuit works as it should.
-The aqua curve is the Seas 27TBFC/G on the baffle.
-The blue curve is a Seas DXT horn. I tossed this on the baffle to
see how it would work. It has more sensitivity in the 1-10k region,
but would be difficult to get flat after 10k. Still, both are
probably usable and I'll play around with both when generating a
passive crossover.
For the sake of improved clarity, the curve below shows only the
final measured woofer and tweeter curves that will be used for
crossover modeling.

I will merge a nearfield curve into the woofer data above.
(Actually, I will do it bother ways. I'll leave it as is for lspCAD
and then generate a spliced version for SE. They should be very
similar.) I'll work on the passive crossover in April and finally
have a listenable single unit by late May.
A notable interesting point is that the tweeter will require no
padding and the system sensitivity will be on the order 91-92 dB.
This is a direct result of the increase in efficiency from both the
MTM format and the extra 0.5 woofers, so to speak. You get 6dB from
the TMM arrangement, then another 6dB from the MTM aspect. Not bad,
eh? Now, it's not really 12 dB since the series arrangement nets
extra excursion but does not raise the system sensitivity.
Also, while the SPL for 2.83 volts at one meter may be 91 dB at 1k,
it will not be that at 50 Hz. Because of the gain circuit, it will
require 14 dB more power, i.e. the amp will have to put out ~32
watts or so to maintain the same spl as one watt (assuming 8 ohms)
at 1k. Hope that makes sense. Realistically it will take a 65-125
watt amp to drive this well into the 95-100dB range. With both, and
room effects, I'm guessing that 100-105dB honest output (though
105dB at 50 Hz dipole is, well, stretching it...)
3/12/08
More Praxis gymnastics

Here's a graph of the true dipole
measurement of the RS225's multiplied by the transfer function of
the actual measured equalization circuit shown in black. (Praxis is
nifty in that you can do math operations on curves in both the time
and frequency domain. So you can take a raw measurement, and
multiple it by some other curve. In this case, the equalization
curve shown below. Very handy for simulating results.) The tweeter
is in red.
If that all seems a bit confusing, hopefully this next, somewhat
busy graph will clear things up. What I did was multiply the navy
blue true measured response of the dipole panel by the true measured
equalization circuit, shown in aqua and correct the gain. The result
is the black curve. It's not quite the same as measuring the the
panel with the equalization in place, but pretty close.
NOTE- the final black curve is not correct below ~85Hz since Praxis
has no data below 85Hz in the navy curve. I can generate a
more accurate curve below 85Hz, but due to technical reason, I lose
sensitivity link with the tweeter. What I was most interested in
these curves was making sure the sensitivity between the woofer and
tweeter was ok.

So you really want to see a more accurate simulated low end? The true
roll off is steeper as you can see below. However, I can't compare the relative tweeter
level because of the way I post processed this graph. But it's the
correct simulated low end, for what it's worth.

Could I use this to model a crossover? Probably. But the level is
very critical. I don't have any extra sensitivity on the tweeter. If
the gain on the woofer transfer function is off, even a dB or
two-that's going to be a problem. I did this though, to see if the
sensitivities would work out. It looks just perfect. The tweeter
won't need much, if any padding at all.
So it's looking very good. Now, to just wait for a free Wednesday
morning that's not windy so I can measure the panel with the
equalization circuit.
I may also just increase the depth of the notch 0.5dB or so by
tinkering with the circuit. If only I didn't break my usb SE dongle.
I've got a parallel dongle, but no parallel port. Still, a parallel
port adapter from Newegg is ~$15. A lot cheaper than a new usb
dongle.
3/10/08
It's Alive!!!!!

Yes, yes, it looks messy. But,
it works. I fired up the circuit using 18g thermostat wire for the
power supply and 22g shielded HD security camera cable. You gotta
love HD. Sure, the electrons would prefer driving in a Mercedes
Benz. But they're ok with driving through budget wire for
prototyping. That power supply is one of the common generic +/-15v
ones available through Digikey for ~$45. Hard to make one for that.
Anyway, it works. Below you'll see the result using praxis to test
the transfer function. This is the "true" measured result, NOT
modeled. Compare this with the Soundeasy/John k spreadsheet
simulated result at the bottom of this page. Seems to be accurate
within 0.5dB.
Praxis will use a chirp up to 1.3 seconds long, so the resolution is
better than 1Hz. The op amps held up well since I bent the pins,
dropped them, rubbed them against my cat's fur, touched the Van de
Graff generator, and they still seem to be work when I finally got
them in.

Praxis makes the marker interpretation quite easy. You can set any
marker as a reference. In this case, I set the 10k marker as zero.
So there is a 4.4 dB dip for the dipole peak, a total of 14.6dB of
dipole gain peaking between 40-50Hz, and then the 12dB roll off
(actually, heading towards 18 with the 7 Hz input filter.
3/01/08
They're here

ExpressPCB has sent the
boards. Prototype boards are 3/$51 plus shipping. Plus, handy
software for board design. Perhaps not the cheapest, but pretty no
nonsense for small board prototyping. You have to be able to fit it
on a 2.5" by 3.8" board.

Here it is with the components. Only
one channel for now. After all, what if it stinks? You can already
see some eh, resistor changes. And, c19 and c0 are too close. I had
to use a different brand film cap (the green ones) to fit. Live and
learn. I figure it will go through a couple of iterations anyway
before the final board. This is a small board. Good thing I'm
nearsighted without my contacts. Care and a very small point
soldering iron are required.
I may try to make a more generic board that would work for multiple
active circuits, add an onboard power supply, etc. It depends on the
final interest in this project. If I can get 10-20 folks to fork out
$20, then we can get a pretty nice board. You can see from the
expressPCB site that a nice, silkscreen/soldermask setup will be
~$350-400 for 20 boards. It's not worth it just to make 5 boards...
Now, I need some free time to measure the main panel woofer and
tweeter with the inline equalization circuit above.
Incidentally, Context
Engineering makes a pretty nice case for 2.5" boards. You can
get these at Fry's for ~$10. The case is below the board in the
photo above. Of course, you've got to think where you're going to
put the +/-15v power supply. The nice thing about this case is that
the board slides into machined grooves in the case and doesn't need
any other mounting. It's a pretty well finished case for the money.
Not like the cheap stamped aluminum project cases out there.
Here's a better picture (credit the gallery of context engineering)
of the case style. Of course it's black and not hot purple-pink...

2/22/08
Genesis
It's time for a modestly priced full range dipole. Already, there
are a number of high quality 3 way dipole plans available. What's
not generally available is a dipole offering high quality, full
range behavior, in a 2 way format, that's moderately priced and only
requires 2 channels of amplification.
Of course, it depends on how you want to define it. I'm defining
full range as true 50 Hz frequency extension, a two way as a WWtWW
2.5 way, and only two channels of amplification but inline low
level active equalization (i.e. you need a preamp out-amp in loop or
separates). And, of course moderately priced is ~$600 not counting
the wood for the baffles. Still, this is cheaper than say, a typical
7" box two way with say, some Scan Speak drivers. And, as you'll
see, at least in measured distortion performance, will significantly
exceed a typical 7-8" boxed two way.
Why not a more typical 3 way with active equalization? Well, I think
SL and John k have this covered. No reason to reinvent the wheel.
What I've learned from my design work on the RS22528A has led me to
believe that 4 of the RS225 drivers can give significant low end
response, adequate for a full range dipole, and have just enough
reach to match with the Seas 27TBFC/G. Why not the RS28A? Well, in
some respects the RS28A is a better driver, but the Seas can more
consistently reach 1.4-1.5k.
I've already been working on this for a good 6 months, and below is
a review of the design process I've gone through. Hopefully this
will give you a better idea of the project and how I've approached a
dipole design.
The initial goal is to get at least the same level of distortion
performance in a dipole at 50 Hz that I currently get out of the
RS22528A. At least as a rough estimate, the fequal is
approximately 200 Hz and to get to 50 Hz, an additional 12 dB of
excursion is required. So, four RS225's in a dipole will give
the same SPL for the same excursion as a single sealed RS225.
Step one is to build a prototype baffle and do some preliminary
distortion measurements and FR measurements.
There are four issues to consider at this point:
-First, will the
measured distortion of 4 drivers on a baffle be acceptable?
-Second, will the on axis frequency response be relatively easy
to equalize?
-Third, will the dipole behavior go high enough to
cross at ~1.5kHz?
-Fourth, how to minimize the effects of the
narrowing of vertical polar response with 4 drivers?

Above you'll see a prototype baffle. It's rough and ugly,
but it is enough to answer these questions. We put it up and do
some simple FR and distortion measurements.
For the FR curves, I looked at the inner pair, outer pair, all four,
and the inner pair in series, then paralleled with the outer pair in
series. Different inductors were placed on the outer pair to roll
off
the outer pair and improve vertical polar response.
First, all four without an inductor. Very preliminary curves looking
at measurement distance, noise etc. This first one is a 50mS curve
that's smoothed. Outdoors this works very well as the red is a 6.5mS
window and the black is a 50mS smoothed curve. The agreement is
excellent and allows a pretty good estimate of what's happening
under 150Hz. You see the 6dB roll off and dipole peak. Still it looks
very equalizable.

Next, I looked at the different curves for rolling off the outer
two. I didn't consider these measurements very good, but they were a
starting point.

Here I overlaid the Seas 27TBFC/G response on the raw woofer
response. The sensitivity match is very close. This may be a
problem later. Once I actively equalize the curve, hopefully the
tweeter will be sensitive enough. This can be adjusted somewhat
actively, but it ends up being trial and error through a couple of
iterations to make sure it's correct.

Looking at the graphs, you might think that deep null at 3k is a bit
puzzling. It's the confluence of a couple of issues. First, the
RS225 does have a notch naturally there. Below is a curve from my
RS22528A raw measurement files.

However, this is made worse by the 4 woofer configuration. In the
measurements above, all four were connected without a roll off
inductor on the outer pair.
And then, there is the issue of measurement distance. Below, you'll
find an interesting set of simulation curves for the 4 driver setup.
This shows what the experimental FR curve would be at 1m vs. 4m. The
1m curve looks suspiciously similar to the curves above. What this
tells you is that 1m is an unacceptable measurement distance for
this setup. I've also simulated 2 and 3m and ideally, 3m or greater
is necessary for accurate measurements. Now it's not as bad as the
edge would suggest, as a roll off inductor for the outer two woofers
will improve things considerably. Still, this tells me that 3m+ is a
necessary measurement distance. Any less will introduce significant
errors in the crossover design between the woofers and tweeter.

On to distortion measurements. I compared SL style tone bursts
between my RS22528A and the RST dipole.
Here, the RST dipole is better at 30Hz, despite being driven at 3dB
higher. (Sorry about that-hit the max output on the preamp for the
RS22528A and couldn't get to 84.6dB. No matter, the result is
clear.)

Here, at 50Hz, the dipole again is in the lead.

A smaller lead for the dipole, but a lead nonetheless in all
important higher order region.

At 100 Hz and 250 Hz, the dipole distortion is markedly lower.


At 800 Hz, I'd give the edge to the dipole because of its superior
higher order distortion products. However, you can see a slight
excess of 2nd order products for the dipole, as shown in the 800 Hz
reverse graph. So it's close.

Same data, with the two units flipped. Now the excess red is excess
RST distortion.

What's the conclusion? The RST dipole is hands down superior to the
RS22528A in distortion, both in low end excursion, and in higher
order products. And, the RS22528A is no slouch, if you've read the
data on my RS22528A.
So this looks very promising.
Anyway, it's time to build a new baffle. (More measurements were
done, but you get the idea.)
A new baffle is born
That first prototype baffle was pretty
flimsy. So, time to build a new baffle. A little bit of simulation,
a little bit of studying John k's and SL's site and some emails to
John, then it's off to build a new baffle.
The baffle is constructed quite simply as follows.
A set of 1x2x6' maple is laminated to a 1x3x6' strip of maple and a
45 degree miter is cut as shown below.
Then, a main panel is cut out of mdf as below.

Next, the struts are rounded over and the main panel is glued into
the struts.

Add some Krylon faux finish and there you have it. The maple
laminate makes it quite sturdy, surprisingly so.

Measurements revisited
With the new baffle, it's time
to redo the measurements at a distance of 2, 3 and 4m. The drivers
were measured outdoors, with the inner pair of woofers in series,
then paralleled with the outer pair using a 1.25mH coil. Yes, that's
a series parallel connection. However, since the drivers are well
matched and the drivers are rolled off before the impedance peaks,
the series parallel connection is only marginally less desirable
than the alternative. Unfortunately, a parallel-series connection
doesn't allow for easy passive roll off of the outer pair.
First, a s nearfield estimate. Below you see a nearfield 4 driver
average. The red curve is an estimated dipole response using the
method documented on John k's website. The estimated dipole response
is spliced to the 3m farfield gated curve.

Here we have the farfield 3m measurement above 150Hz spliced to the
dipole estimate. This gets imported into John K's spreadsheets, then
the circuit is modified and entered into SE for some fine tuning.

Below you see the results. The
raw spliced curve is shown(yellow marker), then the equalized curve
with the modeled inline filter(green marker). Also shown is the
transfer function curve of the inline active equalization
circuit(purple marker).

PCB
The next step is to design a pc
board. Yes, you can just prototype it on a breadboard, but the cost
of a prototype board is fairly inexpensive if you get just the basic
board. The prototype board is shown below.


Now I'm just waiting on the prototype boards to show.